Music and emotion: perceptual determinants, immediacy, and isolation after brain damage

Music and emotion: perceptual determinants, immediacy, and isolation after brain damage

Source :

• Cognition [ 0010-0277 ] ; 1998.

English descriptors

• Teeft :
  • Affective, American journal, American psychologist, Amusic patient, Anova, Auditory, Bilateral tests, Brain accident, Brain damage, Brain injury, Brief segments, Canadian journal, Change monitoring task, Classical repertoire, Closure judgments, Cognition, Cognitive, Cognitive judgments, Compensatory strategy, Control condition, Control conditions, Control data, Control subject, Control subjects, Crowder, Determinant, Different conditions, Different lengths, Discrimination judgments, Discrimination task, Dissociation, Distinct types, Elsevier science, Emotional appraisal, Emotional appreciation, Emotional character, Emotional communication, Emotional distinctiveness, Emotional evaluation, Emotional expression, Emotional interpretation, Emotional judgments, Emotional language, Emotional responses, Emotional tone, Error detection, Error detection task, Error detection tasks, Excerpt, Experimental psychology, Expt, False alarms, Familiar melodies, Further support, Gating paradigm, General discussion, Gold program, Happy birthday, Happy excerpts, Happy label, Happy segments, Happy tone, Hevner, Human expression, Human expressiveness, Human interpretation, Important information, Intact excerpt, Intact excerpts, Length effect, Little effort, Major conclusion, Major determinants, Major mode, Many changes, Melodic line, Melody discrimination, Memory abilities, Minor mode, Minor modes, Mode, Mode changes, Mode condition, Mode information, Mode perception, Mode tempo condition, Mode transcription, More details, More hits, Music perception, Music performance, Music processing, Music recognition, Musical culture, Musical emotions, Musical events, Musical excerpt, Musical excerpts, Musical information, Musical input, Musical properties, Musical selections, Musical sequences, Musical stimuli, Musical structure, Naive students, Neuropsychological, Neuropsychological dissociations, Nonemotional judgments, Normal controls, Normal level, Normal subjects, Opposite mode, Orchestra piano, Original instrumentation, Original version, Other half, Other words, Perceptual analysis, Perceptual basis, Perceptual judgments, Perceptual tasks, Peretz, Piano concerto, Piano version, Pitch deviations, Pitch dimension, Pitch errors, Present material, Present study, Previous experiments, Previous trials, Processing music, Professional musicians, Random condition, Random order, Redundant information, Response category, Results show, Results support, Retention interval, Same excerpts, Same frequency range, Same measure, Screening tests, Segment, Segment length, Separate anovas, Separate sessions, Short moment, Similar trend, Single event, Single measure, Small portion, Standard deviation, Standard procedure, Stimulus length, Strong support, Structural characteristics, Structural content, Successive condition, Successive excerpts, Successive format, Tempo, Tempo change, Tempo changes, Tempo condition, Tempo deviations, Tempo evaluation, Tempo mode, Temporal lobes, Time deviations, Time dimension, Time onset, Tonal encoding, Whole excerpt, Word recognition, Young children.

Abstract

• https://api.istex.fr/document/CD499C0D40A1B4844FA360818870B92C244E8205/fulltext/pdf

Affiliations:

• Canada

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